Showing posts with label compressed cardboard. Show all posts
Showing posts with label compressed cardboard. Show all posts

Saturday, January 1, 2011

01.01.2011

Happy New Year!

Female Nude, Reclining
title: Female Nude, Reclining
size: 11x15 in.
medium: pastel, marker, gouache (on compressed cardboard)
price: $200.00



This is another sketch from back in 2007 done at the Drawing Studio in Smithtown, NY. You can see the hint of this pose in the background of yesterday's post. I'll start experimenting with other media in the near future. For now, enjoy the older work.

Friday, December 31, 2010

12.31.2010

Good Bye 2010!
(and good riddance)

Female Nude, Seated In Profile And Reverse, Looking Away
title: Female Nude, Seated In Profile And Reverse, Looking Away
size: 11x15 in.
medium: pastel (on compressed cardboard)
price: $200.00



2010 is finally almost over. It was a pretty rough and stressful year for me. It wasn't all horrible and awful, just full of drastic change. A lot of which I was not ready for. I'm always the optimist though so I believe that the hard times were necessary for me to progress. I had fallen into a rut and the drastic measures I undertook this year forced me out of my complacency and continues to do so. The one place I feel I have remained complacent is the figure drawings that I post here. A lot of times, the daily format seems more of a chore. I'm sorry if this sounds like wining. I'm just trying to diagnose the problem before I proceed with the solution.

Often times during this year I thought of ending this blog. At first I toyed with the idea of ending it when I hit 1000 nudes in mid-March. And now days, every time I have a bad drawing day I think of throwing a fit and quiting. But in reality, I don't think I can quit figure drawing. That would just be counter productive. I dug this piece up while unpacking boxes from my move to Portland (it's been 6 months and I'm still unpacking). I did this sketch back in 2007 at the Drawing Studio in Smithtown, NY. I mentioned this a few times before but it always bears repeating. The instructor at the Drawing Studio, Jeff Fisher always pushed me to experiment with different media, colors and approaches. and even the results were often times disastrous, my skills would always improve. So my solution for the year ahead is to throw some different ingredients into my repertoire and see what happens.

2011 is not only the start of a new year but it also starts a new decade. The 2000s were really great to me, despite all the unfortunate events that happened around the world. I became an adult and watched my skills improve with every passing year. I started to become comfortable in my own skin and confident in my abilities. And even though I still feel like I have not found my voice, I know I'm on the right path. I'm very eager to see where I'll end up in the next 10 years.

Thank you everyone who follows this blog. I appreciate all of your support, even if you may not be very vocal in the comments section. (hint. hint.) I hope to repay you in some small way in the coming year/years. But for now, you still have a few days to take advantage of the Holiday Sale.

Happy New Year Everyone!!!

Friday, January 8, 2010

01.08.2010

Rebecca, Seated, Her Left Knee Raised, Looking Over Her Left Shoulder
title: Rebecca, Seated, Her Left Knee Raised, Looking Over Her Left Shoulder
size: 9x12 in.
medium: watercolor, conte pencil (on compressed cardboard)
price: $150.00



Another sketch on compressed cardboard backing of my watercolor pads. It's funny that I brought several pads with me but still did not have enough paper to draw on.

Thursday, January 7, 2010

01.07.2010

Candice, Seated, Her Left Arm Resting On Her Right Knee, Right Hand Raised Toward Her Face
title: Candice, Seated, Her Left Arm Resting On Her Right Knee, Right Hand Raised Toward Her Face
size: 9x12 in.
medium: watercolor, conte pencil (on compressed cardboard)
price: $150.00


This is another piece form the first Tuesday night in 2010 at the Society. I thought I brought enough paper with me for the night but apparently that wasn't the case. I used the compressed cardboard backing of my watercolor pads. It was a new challenge to work on this surface. The cardboard is super absorbent, so whatever you put on it while wet is not what it will look like when dry. Also, watercolor, being a transparent medium, is dependent on the white of the paper to bounce light off and give it its vibrancy. That doesn't work so well on the dark brown of the cardboard. The one highpoint of working on this surface is that you start out with a mid-tone so you are able to pull out sharp highlights with a white conte pencil.